Showing posts with label LUTAN FYAH. Show all posts
Showing posts with label LUTAN FYAH. Show all posts
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here is a collection of music, new, old and otherwise. reggae music is a ting that people come to overstand. I learn and walk and reason to it and so it is. here are versions, dubs, riddims, classics, mento and ska, rocksteady, dancehall, dj and everyting in between.
artists
- anthony B (2)
- augustus pablo (1)
- barrington levy (3)
- barry brown (1)
- beenie man (1)
- black uhuru (2)
- Bob Andy (2)
- Bob Marley (2)
- Boney M (1)
- bounty killa (2)
- buju banton (3)
- burning spear (2)
- capleton (10)
- chaka demus (1)
- Chezideck (2)
- chuck fenda (1)
- cocoa tea (2)
- culture (1)
- Damian Marley (6)
- Dennis Brown (2)
- Dillinger (1)
- Dub Judah (2)
- Dub Specialist (1)
- earl zero (1)
- easy star all stars (1)
- eek a mouse (1)
- FANTAN MOJAH (3)
- Gentleman (2)
- gladiators (1)
- Gregory Isaacs (1)
- Groundation (1)
- Gyptian (1)
- Horace Andy (1)
- hugh mundell (1)
- jah cure (1)
- jah mason (2)
- Jah Shaka (2)
- jimmy cliff (1)
- johnny odbourne (1)
- joseph hill (1)
- Jr. Gong (1)
- jr. kelly (5)
- Junior Demus (1)
- junior kelly (1)
- junior mervin (1)
- junior reid (2)
- luciano (2)
- lushy banton (1)
- LUTAN FYAH (2)
- macka diamond (1)
- Major Mackerel (1)
- marlon asha (1)
- max romeo (2)
- method man (1)
- midnite (2)
- Mr. Vegas (1)
- Mutabaruka (1)
- Nas (2)
- natural black (2)
- Pablo Moses (1)
- pebbles (1)
- PERFECT (5)
- peter tosh (2)
- Playing for Change (1)
- pliers (1)
- richie spice (3)
- rik rok (1)
- Sister Carol (1)
- sizzla (7)
- slim smith (1)
- Sly and Robbie (1)
- smiley (1)
- sons of negus (1)
- steel pulse (1)
- sublime (1)
- tarrus riley (2)
- Tenor Saw (1)
- The Abyssinians (1)
- the clash (1)
- the upsetters (2)
- theodore miller (1)
- tikiman (1)
- Tristan Palma (1)
- turbulence (2)
- twinkle brothers (1)
- UB40 (1)
- utan green (2)
- warrior king (1)
- willie williams (1)
- yami bolo (1)
- Yellowman (1)
- ziggy marley (1)
Blog Archive
overstanding
Babylon -From a Rastafari perspective, Babylon is the historically white-European colonial and imperialist power structure which has oppressed Blacks and other peoples of color.
Diaspora -(dispersion; a migration; the dispersion of an originally homogeneous people). The mass dispersion of peoples of a common culture or national origin is commonly referred to as a diaspora. Historically, these movements tend to be forced or involuntary. They may be the result military occupation, systematic persecution, servitude, enslavement, or laws by which the dominant society defines an ethnic group as marginal, undesireable, or subordinate. These movements also tend to reflect pervasive regional or global forces that separate peoples of common origin form their homeland (real or imagined), leaving them to think of themselves as exiles. Such is the case of the African diaspora which began in the early 16th century and displaced tens of millions of Africans from their ancestral continent to various sites in the New World.
Elders -The term given to individuals of longstanding commitment in the Rasta Movement. In everyday speech, the status of male individuals as elders is often acknowledged by use of the term "Bongo" as an honorific (e.g., addressing someone as "Bongo Hill" or "Bongo Ketu").
Ital -The Rastafari term for a saltless and vegetarian diet. Although not all Rastafari adhere strictly to such a diet, it serves as a model for idealized lifeways of practitioners. During Nyabinghi ceremonies (which last for up to a week), an Ital diet is part of the ritual protocol observed by communicants.
Jah -In Rasta speech, this term is used as a synonym for Emperor Haile Selassie as the manifestation of the Godhead. The term derives from the Old Testament where it appears as an archaic form of "Jehovah" (see Psalm 68:4).
Maroons -A term derived from the Spanish word cimarron, meaning wild or unruly, used to refer to runaway slaves in various parts of the Caribbean. In Jamaica, Maroon settlements formed in the island's mountainous interior as early as the mid-16th century. While small in number compared to the overall population in Jamaica, Maroons retained strong African-derived traditions and remained proud of their cultural heritage. In the 20th century, Rastafari culture has continued to carry forward this African pride in Jamaica and other parts of the Black Diaspora.
Nyabinghi -(Ni-uh-bin-gee) This term has a series of overlapping meanings within the contemporary Rastafari Movement. It refers variously to the island-wide religious gatherings of Rasta brethren and sistren at which communicants "praise Jah" and "chant down Babylon," to the three-part drum ensemble on which chants are composed, to the African-derived dance-drumming style performed at these events, and to the corpus of chants themselves. It also refers to the most orthodox organization within the broader Rasta movement variously known as the House of Nyabinghi or the Theocratic Government of Emperor Haile Selassie I. The term Nyabinghi entered the movement in late 1935 during the Italian Invasion of Ethiopia and is actually derived from an African secret society which operated in the Congo and Ruwanda during the last quarter of the 19th century.
Ras Tafari -the pre-coronation name of Emperor Haile Selassie I. Ras is an Amharic term equivalent to duke or lord. And Tafari Makonnen was the family name of Emperor Selassie. Rastafari is the same name taken by members of the Rastafari movement who regard the Ethiopian Emperor as the reincarnation of Christ as well as the embodiment of the Godhead.
Reggae -Sometimes called "the King's music" or "roots music", reggae is the Rasta-inspired music of black protest which emerged in Jamaica during the late 1960s. Reggae reflects the basic rhythmic influences of Nyabinghi drumming as well as that of other African Jamaican musical traditions. During the 1970s, Rastafari-inspired reggae themes became central to the emergent national consciousness of Jamaicans, both Rastafari and non-Rastafari alike. During this same period, the music developed an international following in Europe, the United States, and on the African continent.
Zion -From a Rasta perspective, Zion refers broadly to Africa and more specifically to Ethiopia as the ancestral homeland of all black peoples. The symbols of Rastafari culture identify with this domain in its various spiritual, cultural, and political connotations.
Diaspora -(dispersion; a migration; the dispersion of an originally homogeneous people). The mass dispersion of peoples of a common culture or national origin is commonly referred to as a diaspora. Historically, these movements tend to be forced or involuntary. They may be the result military occupation, systematic persecution, servitude, enslavement, or laws by which the dominant society defines an ethnic group as marginal, undesireable, or subordinate. These movements also tend to reflect pervasive regional or global forces that separate peoples of common origin form their homeland (real or imagined), leaving them to think of themselves as exiles. Such is the case of the African diaspora which began in the early 16th century and displaced tens of millions of Africans from their ancestral continent to various sites in the New World.
Elders -The term given to individuals of longstanding commitment in the Rasta Movement. In everyday speech, the status of male individuals as elders is often acknowledged by use of the term "Bongo" as an honorific (e.g., addressing someone as "Bongo Hill" or "Bongo Ketu").
Ital -The Rastafari term for a saltless and vegetarian diet. Although not all Rastafari adhere strictly to such a diet, it serves as a model for idealized lifeways of practitioners. During Nyabinghi ceremonies (which last for up to a week), an Ital diet is part of the ritual protocol observed by communicants.
Jah -In Rasta speech, this term is used as a synonym for Emperor Haile Selassie as the manifestation of the Godhead. The term derives from the Old Testament where it appears as an archaic form of "Jehovah" (see Psalm 68:4).
Maroons -A term derived from the Spanish word cimarron, meaning wild or unruly, used to refer to runaway slaves in various parts of the Caribbean. In Jamaica, Maroon settlements formed in the island's mountainous interior as early as the mid-16th century. While small in number compared to the overall population in Jamaica, Maroons retained strong African-derived traditions and remained proud of their cultural heritage. In the 20th century, Rastafari culture has continued to carry forward this African pride in Jamaica and other parts of the Black Diaspora.
Nyabinghi -(Ni-uh-bin-gee) This term has a series of overlapping meanings within the contemporary Rastafari Movement. It refers variously to the island-wide religious gatherings of Rasta brethren and sistren at which communicants "praise Jah" and "chant down Babylon," to the three-part drum ensemble on which chants are composed, to the African-derived dance-drumming style performed at these events, and to the corpus of chants themselves. It also refers to the most orthodox organization within the broader Rasta movement variously known as the House of Nyabinghi or the Theocratic Government of Emperor Haile Selassie I. The term Nyabinghi entered the movement in late 1935 during the Italian Invasion of Ethiopia and is actually derived from an African secret society which operated in the Congo and Ruwanda during the last quarter of the 19th century.
Ras Tafari -the pre-coronation name of Emperor Haile Selassie I. Ras is an Amharic term equivalent to duke or lord. And Tafari Makonnen was the family name of Emperor Selassie. Rastafari is the same name taken by members of the Rastafari movement who regard the Ethiopian Emperor as the reincarnation of Christ as well as the embodiment of the Godhead.
Reggae -Sometimes called "the King's music" or "roots music", reggae is the Rasta-inspired music of black protest which emerged in Jamaica during the late 1960s. Reggae reflects the basic rhythmic influences of Nyabinghi drumming as well as that of other African Jamaican musical traditions. During the 1970s, Rastafari-inspired reggae themes became central to the emergent national consciousness of Jamaicans, both Rastafari and non-Rastafari alike. During this same period, the music developed an international following in Europe, the United States, and on the African continent.
Zion -From a Rasta perspective, Zion refers broadly to Africa and more specifically to Ethiopia as the ancestral homeland of all black peoples. The symbols of Rastafari culture identify with this domain in its various spiritual, cultural, and political connotations.